guillaume coutu dumont has been unstoppable over the past three years. since releasing his debut album, face a l est, on montreals musique risquÚe label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquee, oslo, cocoon and many more. he has also kept up a nonstop touring schedule, wowing crowds the world over with a dynamic live show that never sounds the same twice. throughout, he has developed one of the most distinctive styles in contemporary house music-a deep, powerful and original fusion of afro-latin percussion, instrumental melodies, soulful vocals, and intricate rhythm programming. now, with his new album breaking the fourth wall, he takes another big step forward.

jeff mills concludes the drummer project with this final part 3. saving his most influential for the last, these selected drumming masters range from classic to fusion jazz: art blakey, alphonse mouzon, elvin jones and bill bruford. chosen for their complex rudiments and hand control, the drummer part 3 is the most profound in terms of human ability and control

fresh & ltd repress !! mark murphy is a jazz singer legend. he started in the late 50is, ruled the 60is and his records are a hipsters must have since the 70is. then he came to fame again when one gilles peterson got him into dingwalls in the late 80is and japanese producers united future organisation made murphys version of stolen moments (he wrote the lyrics) really big. recently he releases his second album love is what stays on verve (germany), produced by famous german trumpeter till brönner. another famous german producer, yes its henrik schwarz, touched the original track with its deep vocals and full orchestrra arrangement and created the ultimative fusion of jazz and the recent deep house sound from berlin. extremly tasteful. you will never heard strings, wooden brass, and such deepnees of murphy featured in the recent clubcontext but will do thanks to henrik schwarz. different to many others this remix gets released right after being finished in henriks studio so you can say this is the sound of the moment

the glory days of speicher resound in our ears once again - its time for techno to take a front row seat in the rave cathedral. destination: future unknown. this is what the disco kids will certainly scream for as they now start to yearn for darkness in their dance. the perfect storm - a cold fusion of peak roar techno that is 100% classic speicher

tolga fidan, in his last tasty impartment on vakant before his solo debut album due out in october of this year, brings 2 full sides of the most expansive mind and body moving you will find outside of a gypsy circle on jupiter. if techno has a jazz fusion subgenre, a-side >gaijin< is it, making tolga our own personal chick corea with a strobe light.

watch out for the first hip hop release of mule musiq! olive oil is the hottest japanese underground hip hop artist at the moment. they became popular and popular since they produced many tracks for rapper and huge success of their 2nd album. they have released two album,one sigle collection album and some 12inch and remix. their biggest track >pianity< was played by gilles peterson on bbc. this single is a first single cut from their new album >space in space< which will be released in feburuary on mule musiq. olive oil have a unique own style, its like a fusion of prefuse 73 and flying lotus and madlib. if you like the sound of them, you definetly need to check olive oil!

1 of 4 eps to celebrate the 20th aniversary of strictly rhythm with some seriously big names on the mixes. kicking off with chocolate puma / eddie thoneick & the mighty bingo players.

third part of the vinyl 12&#8243,, compilation series of selections from the mathematics label from chicago, israel and italy. includes a bubbly 80s synth-heavy banger by slava, a heavy synth composition by argaman that pays homage to wendy carlos, and a spacy house jazz fusion track by i.f.m.

french hardtechno 4-tracker on d-fork, featuring labelhead dark fork, rob stalker, necro dur, jaykriss & lady syd. this one is massive!

casxio (ca see oh) are a refreshing devine fusion of disco, funk and rock n roll. reminiscent of a sound that first infiltrated ourairwaves over a quarter of a century ago, casxio is what happens when prince, the talking heads, and sly stone all get their heartsbroken by the same girl.

prime numbers are back with e11.... the latest in the pn e.p series. three exclusive tracks by mr scruff & kaidi tatham, motor city drum ensemble and andrés! this time we feature a heavyweight collaboration between mr scruff & kaidi tatham who provide a smouldering jazz-house production with kaidi leading the way on keys and flute on top of a chunky, bottom-heavy groove. motor city drum ensemble drops a killer raw cut. a heavily smashed jackin’ disco workout with all the markings of a fine cajual dub or early striclty rhyhtm. the track oozes soul and is unpretentiously aimed at the dancefloor. once again danilo plessow proves less is more. andrés completes the line up with a cheeky blend of some classic ingredients. sounding like a track from his early releases, “jack city” has all the essential hallmarks of the andrés sound with an excellently simple but purely effective fusion of house and hiphop ethics

just huge dubby killer tunes, incl biodub remix!
on january 1st 2010, the first single released by a new vinyl label kanu kanu will appear in the shops worldwide. the aim of the label, run by a producer hatti vatti (mindset recordings), is to promote interesting and original artists from the world of dub-tech, minimal dubstep / ukg. the material for the single catalogued as number 001 was created by the musicians from three countries: echo_tm from poland, echo ranks from great britain and biodub from germany. the person responsible for the overall conception is hatti vatti from poland, currently living in cairo, egypt. the result of this collaboration is a fusion of meditative bass, dub, dub-tech, minimal and one of the most interesting voices of contemporary reggae. the record is released in a very limited edition (300 copies) and it is pressed on a beautiful blue vinyl!

we lost a house hero ... decks is sad .. rest in peace anthony ... temple vox mix played by ricardo villalobos ... ltd warehouse found

third and last single cut from his debut solo album! this time he teamed up with >kuniyuki aka koss< as a production partner and this single was made with many obscure old records. a side, >routine< is jazzy fusion disco and >unfaithful< is one of the best clubby track on the album. b side, >transaction< is a klaus schulze style and >aneugalam< is a unique jazz funk disco

after the well received all creation 12s delsin records drops yotokos >wet ink<. yotoko are shifty & domu (jcr, 2000black, archive). yotoko stands for a perfect fusion between broken beat, techno and soul.
their album is not about breaking barriers, but it is their own little twisted version of what they call techno. for yotoko techno can be heard in everything, so as such it is all techno. domu and shifty are influenced by lots of different stuff, soul, jazz, disco, hip hop, techno, some old break beat, new broken stuff.. as well 20 pence mad charity shop finds.. the album is about yotoko making music they think is cool and realizing that all this music is the same no matter what the bpm or groove.
domu started as sonar circle for 4 heros reinforced label. later on active as domu for labels as archive and 2000 black and together with archive label boss volcov for the jcr-label with their album as rima. shifty is domus longtime comrade, making his first musical public appearance as yotoko. the albums artwork will be done by amsterdams machine, who already took care of the kindred spirits releases.

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

the latest outing of france based john thomas electronic funk label, ethique, introducing remixes for johns latest album >the unlimited experience<, by a broad spectrum of minimally inclined producers: jens zimmermann (international freakshow, snork enterprises), tom ellis (minibar, telegraph, trimsound) and ark (pias, karat).

mothership transmission 027 – maetrik the >space chronic< ep was the biggest selling record on mothership last year and for good reason. maetrik has an incredible knack for innovative and original sound design. he is also able to package these sounds inside great arrangements and very dj friendly beats. this is what really separates his records from the rest of the sound design experts. >show me< is the perfect example of maetriks amazing talents. after several minutes of a super funky techno groove (2 things that dont usually go together) we find ourselves at the drop. and this drop is one of the best we have ever heard. it sounds like an angry wasp is flying full speed through the inside of your brain. the riff will melt your mind. >simpleman< on the other side is a great example of maetriks versatility. you might be expecting a hardcore techno bit but instead we hear a very groovy, almost reserved jazz techno fusion joint, but still with the heavy beats to keep it real for the clubs.

this new collaboration between two of cadenzas finest talents makes its official debut on mobilee with black shoes, a cut that pops, crackles, and snaps like youd never believe. dance floor ready yet unwilling to sacrifice an explicit focus on the details, black shoes pulsates with bass while suggesting a kind of lightness as whispered and fragmented voices hiss and murmur in the background. the melodics, which give off the feel of being in constant flux, provide a nice contrast to the intensely regularized bass drum while simultaneously meshing with the popping percussion that guide the track along its course. breakdowns filled with the sounds of static and 8-bit provide a nice experimental touch to this track that works equally well as a late-night romp as it does on the headphones. b-side speech also gives off a stuttered feel but is even more blippy and fragmented than its counterpart while migrating towards a more jacking vibe. brito and toro compliment this fractured sound with extensive use of vocal samples—both spoken and sung—that, while incomprehensible, lock in seamlessly with the overall feel of the track. melody here references both vintage sounds and traditional minimalism with the end result being a fusion of the two that is truly extraordinary.

heres a very limited 3 track ep from blast heads 6th cd album nu island. blast head is the most important and respected unit of japanese underground scene for over 10 years. dj hikaru is the most busiest dj who based on japanese most cultural spot grassroots tokyo. dr.tetsu is the programmer who produced some artist like ua and so on... nu wave is the 9 minute over peak time dance track. featured live steal pan playing by tico (little tempo). heres great fusion of caribbean feel organic sounds and head rush dance groove. sky high is the jazz funk/fusion feel disco/boogie track. if you like cro magnon sound, this tracks must be fits for you. bbq jam is the downtempo jam with the elements of jazz, dub, world music.

hailing originally from japan but now operating out of ontario, canada, this is ms onos debut release, and she certainly proves her credentials on this clean, sharp but funky fusion of dubstep techno and electro. kuro shinju is abstract and oblique but crisply funky, whilst the flipside moon is not unlike the japanese art of ikebana where the spaces in between are just as important as what fills them. precision cut clarity.

produced the same year as the truly epic >explorer< lp, >yellow power< takes the highlights from >explorer< and gives them an eastern twist. the hard to find / undiscovered >yellow power< was written and produced in germany by multi-instrumentalist tony carey (rainbow / planet p project) under his yellow power guise. originally released in 1982 this beautifully airbrushed japanese concept album contains 10 tracks of german electronica and cosmic disco / synth pop instrumentals. opening with >hai samurai<, which has been recently re edited by pilooski, this album voyages from spaced-out electro-disco gems such as >megawar<, >peking duck<, >tojo< and >radio tokyo< to cosmic / balearic oddities such as >queen of scots<, >blue fusion< and >dynamite<

nice price deal !!! a hugely influential figure in the french techno scene for the last 15 years, lady b (aka bruno gauthier) brings his acid house flavors to curfew. a child of detroit techno and chicago house bruno has released on some of the most significant record labels in electronic music history including luke solomons and derrick carters re-launched classic recordings, f communications, dj gigolo, boys noise, citizen records, and the hackers good life label.
le fil du razoir (the razors edge in english) brings a classic techno vibe up to date via a dose of wobbly acid house. the result is a no-nonsense, high impact fusion of spitting beats, evil sub-bass and sharp jacking strings. big…
fresh from a chart-topping ep for sci+tec, reset robot brings his sound-of-now to curfew. pacing out the track to allow a swaying funk to percolate the off-kilter drone of the original the result is an edgy, melodic tech house groove.
kapat sees lady b combine bubbling 80s synth pop melodies with heavy rolling bass and drawn out dramatic strings to create a full-force floor grabbing blend of old and new. timeless, energetic, emotive underground music.

after the success of the re-edits vol.1 the messengers (kev beadle & darren moss) are back with a couple of peak-time floor fillers for vol.2.
>first left< is a huge funky fusion bomb that will be sure to move any crowd. looping up the classic herbie tune >just around the corner< the boys have added some percussive flavours to give it a summery edge. side 2 is their rework of ray barrettos version of stevie wonders >pastime paradise<. extending the intro and giving it an extra little kick the tune builds into the perfect singalong tune for those bbq afternoons and summer nights.
both tracks have already found their way into the cd cases of gilles peterson, king britt, phil asher, rainer truby, simbad, eddy ramich, mad mats, michael rutten, rob luis, kay suzuki,dom servini, souled, nik weston, dj asparagus and jonny miller and getting major support from them all.

two more tracks from the much anticipated italoboyz full length cd >bla bla bla<. those of you familiar with italoboyz music will be aware of its roots in the fusion of organic with electronic sounds and the collision of genres as varied as jazz, opera and folk with what we traditionally know as house and techno. >techno tower< and >chinese< are a real testament to the italoboyz musical roots and will surely turn some heads on the dancefloor.

supported by: richi hawtin, hot chip, john digweed, nik fanciull, tono rios, okain... their new ep >shipyard< is piemont at their best... we would not have it another way... magnetic beat-bassline monsters, funky and rigid at the same time. you might call it germanic and it reminds us of dadaism in the 20ies ingermany with it s theme: non-sense makes more sense? the a-side track >shipyard< has all of this, a fusion of old school with blowing horns and massive hi-tech technology. well we know the release is about hamburg harbour...but what the f..ck does it matter. the b1-track >cargo< is as heavy and bulky as you can imagine a track to be with this name... but if you know piemont, you know they make even heavy tracks funky. the b2-track >dockyard< isthe deepest track on the 12 inch and shows that piemont will continue their liking for deeper music which they revealed for the fist time on their recent album >strange world beyond< on mbf.

the om 15 year anniversary compilation is chok full of tasty treats. one of our favorites is this >the latest< by sygaire & defcon featuring capitol a. sygaire (sonar kollektiv, raw fusion) is the the moniker of roskow kretschmann, who has quite the resume of contributions to modern dance music culture. starting with his role as member of jazzanova crew, to his later offerings as kosma, forum, and integra (compost, infracom!), roskow is obviously a man on a mission to spread incredible music throughout the world. here he is with partner defcon (raw fusion, melting pot), the alias of one philipp wohlleben. as innocent as that name might sound, do not be fooled. defcon stands for defense condition 5, and dj defcon brings the heat like a missile in the night. together these two have come with what clearly translates as a respectful bow to the old skool days, presented in true double 12 inch extended mix fashion, and complete with vocals from none other than capitol a.

big with: 2000 and one, jimpster, chopstick, anderson noise ...
since the middle of the 90ies andry nalin counts to the most successful djs and producers for underground house worldwide. beside numerous successful releases and remixes on labels like saw, stealth, bedrock, subliminal or his own label superfly he made with nalin & kane and the track >beachball< a so called crossover hit in 1997 that mutated from an underground to a worldwide hit within one year. in the last time he has big influence on the tech- and deephouse scene and releases also on plastic city since 2008.

cause records is the project by the most famous (and married) hard-techno couple: petduo. straight from brasil, but based in berlin these days, petduo is well-known for their extremely energetic life-sets and bestselling releases on cannibal society / nerven / inflicted to name just a few.for the 4th release the pets invite a bunch of upcoming artists from their motherland. that brazilian hard techno is very much alive was already a fact with names like lukas, alex tb and pet duo themselves creating damage around the globe. this new ep holds brand new tracks for the masses. another killer on this young label that will literally blow your mind!

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style.
ia2 showcases all kinds of broken beats and trademark here provide another 3 varied tracks, with great support all round. new frontiers is a funky, upbeat broken dancey track and has had loads of support from promos. great progression through the track and some great riffs and percussion. outworld has been compared to early earth stuff from bukem and cafe del mar stuff, deep broken beats and sunny pads, great arrangement. lovely deep bass and textures. south central is a more straight up broken track, probably the most chilled of the bunch live live sounding bass and a nice deep vibe.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

deetron pops in with two great remixes, turning the original into a stomping, screaming rework that gets just as epic. the believer mix is a 8 minutes epic featuring deetrons typical fusion of classic detroit techno with some crisp acid touches and corrina stunning vocals. the spring leaves mix shows a more soulful side with a deeper vibe, rhodes and rollin beats ! pitto, after his big feeling record, is back with a little help from joris voorn for a hot remix, using a killer bassline over a simple groove and tweaking the vocals for an effective game!

mix of fusion & live instruments - incl federico scavo mix

1st ep from japanese dj and producer psychogem who collaborates here with jazzy sports disco/jam band cro-magnon. he used to live in london in the 1990s and hung out with dj harvey at the legendary moist party, after his return to japan he started productions as a member of japanese house music production outfit malawi ricks. after m.r. works, he produced tracks for labels like crue-l and some others. µrunninã awayã features jazzy sports dance/jam band cro-magnon. it has a percussive fusion-disco groove with psychedelic feel. µmorning misãsounds like a mixture of mark e s beatdown sound and mudds cosmic funk.

adf, aka adriano filippucci which manages to achieve a homogeneous fusion combining the euphoric feeling of techno and the vibrant soul of house. the title track, >perugia< is named after adrianos hometown in the heart of italy. whether it is the warmth of the sun or the mediterranean lust for life, perugia turns out to be a massive track, with its sparking melodies and a real sense of atmosphere and dynamic mischief. perugia gets the remix treatment from two of the directors at the highgrade headquarters. todd bodine sends the track firmly in the direction of detroit and into some new sonic territory. label boss tom clark sets the focus on the tracks technoid energy and simply lets the groove run away on route to its own destination. avanti avanti, amici!!

the single sees midi joined by foreign beggars orifice vulgatron, spitting double time over a pulsating fusion of syncopated guitar licks and throbbing bass lines. blending punk-esque riffs against electro beats, midi proves he knows more than >4 million ways< to raise hell on the dancefloor and bring the

after setting 2007 alight with his award winning debut solo album a mind of its own karizma returns with the highly anticipated sequel: a mind of its own version 2.0 the upgrade! karizma continues to defy categorization as he moves between his customarily ferocious club bangers through downtempo burners, atmospheric soundtracks and even smoothed out soul with featured vocalists monique bingham, fruity and djinji brown on rap duty. karizmas trademark fusion of raw electronic grooves transcend through the house, broken, dubstep and so called funky house scenes, his raw style influencing beatmakers across the genres. karizma has been putting in the work in 2008 tearing up dancefloors the world over from on a mind of its own v2.0 the upgrade karizma has raised the bar once again as he continues to find new ways to rock clubs, cars and headphones worldwide.

directions is a soon-to-be-techno-anthem. built around an instantly memorable vocal hook this is a genuine big room tune for the summer. pitched to a chugging groove and mounted on a low, throbbing bassline, no time is wasted in introducing the looped vocal hook that builds and drops towards a sprawling, crowd-pleaser of a breakdown.
backing up the package is the equally impressive tipping point. the 3am front left speaker mix is a shimmering, bass-heavy fusion of old school techno riffs and soaring strings.

already played by karotte & shinedoe
16 billion drum kicks is the new major sino outing introducing brazil’s top electronic music producer, renato cohen. it delivers here a cleverly produced fusion of tribal-esque grooves, samba jazz and funk amalgamated onto its firm foundation of its dancefloor techno roots. with the help of legendary guest artists such as 70’s brazilian samba rock marku ribas, sao paolo’s samba virtuoso bocato and techno hero technasia, amongst others, renato conveys a combination of sonic subtleties and frenetic nuances that takes the listener through a myriad of emotions. a first fresh album sure to build on you, it is both a gem to listen in a relaxed state of mind as well when engaged in lightning pace.

besides the sublime original version, the >bloodstream ep< also features three exclusive new mixes, each teasing out the songs grace and power in vivid and unexpected ways. the berlin-based producer and remixer henrik schwarz, one of germanys most respected djs, brings his trademark love of jazz and deep house to two separate versions.
schwarz s club mix re-engineers the track as a sleek dance tune, speeding up chris vocal into a restless, nervy, emotionally naked torch song. his dub version, meanwhile, builds into a hypnotic instrumental collage of bubbling beats, twinkling pianos and elastic basslines. at over seven minutes long, not a second is wasted.
by contrast, the chic parisian re-edit maestro pilooski strips the track down into a cubist collage of rhythmic throbs and sparkles, with a staccato piano melody pulsing through it like a heartbeat. it s a playful and vibrant fusion, where soul-baring yorkshire poetry meets sleek french disco chic.

the seventh release of restoration records is the celebration of the love between men and machines. sykon is true joy and happiness, it s the speech of the synthesizers, it s the passion for hardware samplers and sequencers, it s the addiction to the juicy sound of tape compression. as usual, no computer has been involved in the production of this record.
ôyes, the 4th dimensionö, by eduardo de la calle is a masterpiece of hermetic theories applied to advanced minimal techno. it s mental and involving, deep and solid. hi-tech reduced synthesized sound build up a never ending progression upon the strictness of its low tom layer. mystical energy tthat will kidnap everybody on the dancefloor.
in marieu s ôrootsö, you can hear all the trademarks of the boss of the label. dark, hypnotic and pumping, it developes a bouncing double bass line that breaks the atmosphere with an aggressive 808 kick. acid and funky at the same time, it s simply a time bomb.
on side b, lucretio s ôwhere youö is a superb synthesis of his detroit techno and uk-garage influences. relentless effective old-school drums run with a female vocal sample. soulful chords sing along balistic claps. an evocative string line introduces a touch of blues. a sweet sunset on the groove, a smooth weapon.
last but not least, a touch of class by the analogue cops: ôslowlyö. it s a down beat fusion of jazz and deep house. a monumental bass drum bursts a celestial big band interlude. a sexy 303 acid line, an elegant high-hat, a snappy snare. just few things but on the right place. a delight for your mind and for your body.
restoration records are played by djs such as james pennington aka the suburban knight, dj buzz goree, ame, eddie flashin fowkles, alan oldham, rick wade, marcel dettmann, prosumer, steffi, tama sumo, tyree cooper, norman nodge, santiago salazar, pacou, mad max, dj jus ed.

pong musiq has whipped up something special again, stands for the new generation of amazing barcelona producers, sistema (manuel ruiz), many years has been producing, dj and the owner of the label neue lõrmklassiker. while his live shows have won his fans around europe, for this second release, >lenceria barata< he eplores the techno dub territories! complexity and simplicity are addressed in equal measure here, easy to find traces of people like quantec, maurizio, intrusion, echospace but with the melodic charge that always manel introduce in his productions. it s hard not to get excited listening to this brilliant masterpiece. >ropa exterior<, a highly infectious mix of motor city strings, is built to move. clever tool track that will once again find its way into deep sounds, basslines, rhythms in constant movement that keep you dancing. heavy approach which will fit well across the board as its paranoid, edgy atmospheres and body shaking grooves dominate the floor.also in additional production we can find dosem! marc started performing as a live act under the name ædosemÆ. in a short time, his popularity grew strong amongst the spanish scene, he signed his first artist deal with high profile hong kong based label, sino, which previously revealed key figures of the electronic music scene, in the name of joris voorn and technasia. his remix is just a bomb to the dancefloor! >abanderado< , plus digital track for this release. idm and tech dub fusion perfectly to finish this amazing release of sistema.

all things hip shaking, and all things electronically funked up to the max is where the ethique is at yÆall! french dj/producer john thomas is joined by his soulful brazilian wife, barbara thomas, to deliver a collection of 11 tracks of crafted dancefloor electronic funk entitled æthe unlimited experienceÆ, a new album project that pushes house music to new boundaries and beyond. with the hip-shakinÆ sentiment deeply ingrained in john and barbaraÆs trademark sound, the project re-injects the ever so important funky groove back to the electronic sound. quality electronic funk for those bassbins!

release #3 on unfokused imprint by parham shafti and jon sutton comes from devilfish aka sina m solouk plus a banging remix by dj yellow.

part 2 features mixes from hard dance / ravebreaks giants slipmatt & bunter they have been pushing their new sound which they call ravebreaks, a fusion of breakbeats mixed with anything from traditional rave sounds to electro to full on vocal songs. and has had a highly successful compilation albums with ministry of sound under the helter skelter. bass slammers aka nilesh parmer & dave heels currently on the dance nation tour in the uk provide the other mix alongside germanys de-grees

>not my cat< is a brooding fusion of bubbling acid, deep bass tones and low-down jacking rhythms that treads a line between early doors groover and late night mood setter. >demons among us< is exactly the sort of cinematic-style club production that will resonate with fans of charlies work. forging together multi-textured layers of precision crafted sonics, the overall vibe is one of minimized, robotic-funk that provides the foundations for a killer shimmering melody to do its joyous damage.

although jaxson and keno both have successful solo projects and have previously worked together before, this collaboration is bound to be their most notable release yet. a fusion of house, funk, latin and techno, all meet at the crossroads of their studios for a 4 track ep of sundry beats and fresh flavors. clearly the a-side, >tout le temps< is comprised of a clever hook and a hazy latino vocal sample, which carries the initial groove right into an originally played synth section. a good example of a refreshing approach to adding effects and using sounds. >tarantella< as the title might suggest, one might expect a track that would scare the living day lights out of you, but it has more of a >creeping up from behind you< sort of vibe. a subtlety creeping groove subliminally enters your unconscious mind carrying a secret message. what is that message you ask? dance! the congas on, >red baron< sound so live you can almost here the players licking their fingers. congas might be the groove in the heart of this tune, but the melody of the slick synth stabs and rising strings are what ultimately breath energy and spunk into this roller. >karate kid< initially has a minimal feel, but once the hacked up guitar and vocals come in, you can put those dirty thoughts to rest. abundant with an overwhelming amount of unique and interesting sounds, secure this tunes ability to prick up the ears of finicky djs and clubbers alike. it is rare to find such a wide variation of sound design on your run of the mill ep, but kindisch has proved they are not an ordinary label. they are consistently releasing quality tunes and always providing pleasant surprises. some might say it is a clichÚ, but this ep really does have a bit of something that will drive one club or another nuts

codename from zagreb/croatia teamed up with microdizko from berlin/germany to work on the same track into different directions. check out the fusion of synthesis!